This week the local
film society began a "French Noir" festival, and the weather is cooperating. For days now mid-level fog has hung over the city, keeping the temperature between 32 & 40 and warding off sunshine until about 2:30 p.m., when a few weak rays break through.
For artificial sunshine, I still recommend
"The Pearl Fishers." In spite of some gratuitous writhing that passes for dancing, the production is a good one. (If you don't want to rush out to buy a ticket, listen
here at 7:30 tonight for a live broadcast by the gold cast.)
(I'll be by the radio with my knitting, having
finally figured out yo-ssk!)
Opera is an acquired taste (except perhaps in Vienna, where you might be born with an opera gene.) Growing up, I heard the Saturday-morning (this was the West, remember) Met broadcasts, but didn't see opera on stage until I was 18 and going to school in Massachusetts. In those days the Met did a two-week spring season in Boston, and it was a real thrill to see as well as hear a production.
"The Pearl Fishers" is a wonderful introduction to opera. In spite of a silly libretto and a plot full of improbable coincidences, the music is lovely, and the characters connect with an audience. Some critics prefer "Pearl Fishers" to "Carmen," usually acknowledged as Bizet's masterpiece.
Opera doesn't need to be real to be wonderful. According to the program notes, the librettists apologized to Bizet for their thrown-together offering after hearing the music on opening night. (Bizet wrote the opera for a contest, and had to use an existing libretto because of time constraints.)
Seattle has had opera for a long time, along with other kinds of entertainment. Thanks to "Vintage Seattle" for
this babe -